Exploring Horror and Reality through Childhood Memories of Ghostwatch (1992,)presented by Dr Kate Egan
Doors: 7pm. The talk will begin at 7:15. Please don’t be late.
As Catherine Lester has noted, ‘the meeting of “horror” and “children”’ has often being considered to be ‘an inherent contradiction’, incompatible with ‘the cultural constructions of childhood in Western modernity as a distinct stage of life defined by innocence, naivete and vulnerability’ (2022: 2). On Halloween 1992, BBC One broadcast a one‐off ghost story, Ghostwatch, and it ‘was viewed by a sizeable child audience’ (Leeder, 2013: 178). During and after the broadcast, it caused significant controversy, and, despite being advertised as a drama, many people watching thought the broadcast to be factual and live. To date, it has never been repeated by the BBC or any UK‐based television channel. However, fan and media interest has grown exponentially since the early 2000s, including through a succession of DVD and Blu-ray releases and documentaries, from Ghostwatch: Behind the Curtains (2021) to the recent 30th anniversary documentary Do You Believe in Ghosts? (2022), and fan events and activities on social media such as the National Séance.
Key to Ghostwatch’s retrospective appreciation is substantial recognition of its influence on the subsequent development of found footage horror, in particular through its innovative play with conceptions of factuality and liveness. Drawing on the analysis of the detailed memories of 500 Remembering Ghostwatch project participants, this talk will consider how memories of childhood encounters with Ghostwatch on first broadcast allow participants to revisit the ways in which this pioneering work of horror challenged their childhood conceptions of the boundaries between reality and fantasy. Through this, the talk will consider the value and importance of exploring horror spectatorship through audience memories and viewing histories, as well as the aspects of Ghostwatch that were seen to inform these remembered responses and forms of cognitive dissonance, such as the ‘screen surrogate’ roles played by the television presenters Michael Parkinson and Sarah Greene.
This will not give you access to any online events. You will require a different ticket for that. These events are in-person only, and are not live streamed - sorry.
This will not give you access to any online events. You will require a different ticket for that. These events are in-person only, and are not live streamed - sorry.